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From Authored to Produced Time in Computer-Musician Interactions

Arshia Cont 1, 2 Jean-Louis Giavitto 1, 3 Florent Jacquemard 1, 3 
1 MuTant - Synchronous Realtime Processing and Programming of Music Signals
IRCAM - Institut de Recherche et Coordination Acoustique/Musique, Inria Paris-Rocquencourt, UPMC - Université Pierre et Marie Curie - Paris 6, CNRS - Centre National de la Recherche Scientifique
2 Repmus - Représentations musicales
STMS - Sciences et Technologies de la Musique et du Son
Abstract : Human musicians have since long developed methods and formalisms for ensemble authoring and real-time coordination and synchronization of their actions. Bringing such capabilities to computers and providing them with the ability to take part in musical interactions with human musicians, poses interesting challenges for authoring of time and interaction and real-time coordination that we address in this paper in the context of Mixed Music and the Antescofo project.
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Submitted on : Monday, February 11, 2013 - 10:58:19 AM
Last modification on : Tuesday, March 15, 2022 - 3:21:20 AM
Long-term archiving on: : Saturday, April 1, 2017 - 9:53:34 PM


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  • HAL Id : hal-00787033, version 1


Arshia Cont, Jean-Louis Giavitto, Florent Jacquemard. From Authored to Produced Time in Computer-Musician Interactions. CHI 2013 Workshop on Avec le Temps! Time, Tempo, and Turns in Human-Computer Interaction, John Thomas, Yue Pan, Thomas Erickson, Eli Blevis, Catherine Letondal, Aurélien Tabard, Apr 2013, Paris, France. ⟨hal-00787033⟩



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