Abstract : We present a system for public interaction during presentations of non-interactive readymade (canned) materials such as films or pre-composed performances. Using concepts of user back-channeling, moderator and shared canvas, the system allows a significant part of an art piece that is actually happing "in the heads" of the audience to be shared in parallel or in sequential manner with the main show. We also briefly present the historical background of the blind manipulation of symbols (canned contents) and argue that a new cognitive paradigm is at work with user interaction in computer-based entertainment and digital art.
Type de document :
Communication dans un congrès
Ryohei Nakatsu; Naoko Tosa; Fazel Naghdy; Kok Wai Wong; Philippe Codognet. Second IFIP TC 14 Entertainment Computing Symposium (ECS) / Held as Part of World Computer Congress (WCC), Sep 2010, Brisbane, Australia. Springer, IFIP Advances in Information and Communication Technology, AICT-333, pp.179-189, 2010, Cultural Computing. 〈10.1007/978-3-642-15214-6_18〉
https://hal.inria.fr/hal-01056344
Contributeur : Hal Ifip
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Soumis le : lundi 18 août 2014 - 16:52:57
Dernière modification le : lundi 4 mars 2019 - 14:22:27
Document(s) archivé(s) le : mardi 11 avril 2017 - 19:59:18
Shlomo Dubnov, Philippe Codognet. Opening the Can: Public Interaction with Ready-Made Contents. Ryohei Nakatsu; Naoko Tosa; Fazel Naghdy; Kok Wai Wong; Philippe Codognet. Second IFIP TC 14 Entertainment Computing Symposium (ECS) / Held as Part of World Computer Congress (WCC), Sep 2010, Brisbane, Australia. Springer, IFIP Advances in Information and Communication Technology, AICT-333, pp.179-189, 2010, Cultural Computing. 〈10.1007/978-3-642-15214-6_18〉. 〈hal-01056344〉
