Comparing film-editing

Quentin Galvane 1 Rémi Ronfard 1 Marc Christie 2
1 IMAGINE - Intuitive Modeling and Animation for Interactive Graphics & Narrative Environments
Inria Grenoble - Rhône-Alpes, LJK - Laboratoire Jean Kuntzmann, INPG - Institut National Polytechnique de Grenoble
2 MIMETIC - Analysis-Synthesis Approach for Virtual Human Simulation
UR2 - Université de Rennes 2, Inria Rennes – Bretagne Atlantique , IRISA-D6 - MEDIA ET INTERACTIONS
Abstract : Through a precise 3D animated reconstruction of a key scene in the movie "Back to the Future" directed by Robert Zemekis, we are able to make a detailed comparison of two very different versions of editing. The first version closely follows film editor Arthur Schmidt original sequence of shots cut in the movie. The second version is automatically generated using our recent algorithm [GRLC15] using the same choice of cameras. A shot-by-shot and cut-by-cut comparison demonstrates that our algorithm provides a remarkably pleasant and valid solution, even in such a rich narrative context, which differs significantly from the original version more than 60% of the time. Our explanation is that our version avoids stylistic effects while the original version favors such effects and uses them effectively. As a result, we suggest that our algorithm can be thought of as a baseline ("film-editing zero degree") for future work on film-editing style.
Type de document :
Communication dans un congrès
Eurographics Workshop on Intelligent Cinematography and Editing, WICED '15 , May 2015, Zurich, Switzerland. Eurographics Association, pp.5-12, 〈10.2312/wiced.20151072〉
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Quentin Galvane, Rémi Ronfard, Marc Christie. Comparing film-editing. Eurographics Workshop on Intelligent Cinematography and Editing, WICED '15 , May 2015, Zurich, Switzerland. Eurographics Association, pp.5-12, 〈10.2312/wiced.20151072〉. 〈hal-01160593〉

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