M. Chemillier, Informatique musicale, chapter Grammaires, automates et musique, pp.195-230, 2004.

D. Conklin, Distinctive patterns in the first movement of Brahms??? String Quartet in C minor, Journal of Mathematics and Music, vol.14, issue.2, pp.85-92, 2010.
DOI : 10.1525/mp.2006.23.3.249

D. Cope, Virtual Music: Computer Synthesis of Musical Style Reference analysis Optimal alignment S0() [0, 2004.

D. Deutsch and J. Feroe, The internal representation of pitch sequences in tonal music., Psychological Review, vol.88, issue.6, pp.503-522, 1981.
DOI : 10.1037/0033-295X.88.6.503

M. Hamanaka, K. Hirata, and S. Tojo, Implementing ???A Generative Theory of Tonal Music??????, Journal of New Music Research, vol.3, issue.4, pp.249-277, 2006.
DOI : 10.2307/3680495

J. E. Hopcroft, R. Motwani, and J. D. Ullman, Introduction to Automata Theory, Languages, and Computation, 2001.

E. Donald and . Knuth, Semantics of context-free languages, Mathematical systems theory, pp.127-145, 1968.

O. Lartillot, Taxonomic categorisation of motivic patterns, Musicae Scientiae, vol.13, issue.1 Suppl, pp.25-46, 2009.
DOI : 10.1177/102986490901300103

F. Lerdahl and R. S. Jackendoff, A Generative Theory of Tonal Music, 1983.

A. Marsden, Schenkerian Analysis by Computer: A Proof of Concept, Journal of New Music Research, vol.66, issue.3, pp.269-289, 2010.
DOI : 10.1080/09298210600578162

D. Meredith, A geometric language for representing structure in polyphonic music, Int. Society for Music Information Retrieval Conf, p.2012, 2012.

M. Mesnage and A. Riotte, Formalisme et modèles musicaux, 2006.

D. Neumeyer, The two versions of J. S. Bach's A-minor invention, BWV 784, Indiana Theory Review, vol.4, issue.2, pp.69-99, 1981.

T. J. Schaefer, The complexity of satisfiability problems, Proceedings of the tenth annual ACM symposium on Theory of computing , STOC '78, pp.216-226, 1978.
DOI : 10.1145/800133.804350

H. Schenker, Der freie Satz, 1935.

J. Shafer, The two-part and three-part inventions of Bach: A mathematical analysis. Honors project, 2010.

K. Sidorov, A. Jones, and D. Marshall, Music analysis as a smallest grammar problem, 2014.

J. Mark and . Steedman, A generative grammar for jazz chord sequences, Music Perception, vol.2, issue.1, pp.52-77, 1984.

J. Sundberg and B. Lindblom, Generative theories in language and music descriptions, Cognition, vol.4, issue.1, pp.99-122, 1976.
DOI : 10.1016/0010-0277(76)90011-1

T. Winograd, Linguistics and the Computer Analysis of Tonal Harmony, Journal of Music Theory, vol.12, issue.1, pp.2-49, 1948.
DOI : 10.2307/842885