A. Agostini and D. Ghisi, Bach: An Environment for Computer-Aided Composition in Max, International Computer Music Conference, 2012.

A. Allombert, M. Desainte-catherine, and G. Assayag, Iscore, Proceedings of the 3rd international conference on Digital Interactive Media in Entertainment and Arts, DIMEA '08, pp.360-367, 2008.
DOI : 10.1145/1413634.1413699

URL : https://hal.archives-ouvertes.fr/hal-00353619

J. Arias, M. Desainte-catherine, S. Salvati, R. , and C. , Executing Hierarchical Interactive Scores in ReactiveML, Journées d'Informatique Musicale, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01095159

G. Assayag, C. Rueda, M. Laurson, C. Agon, and O. Delerue, Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic, Computer Music Journal, vol.23, issue.3, 1999.
DOI : 10.2307/3679811

G. Burloiu and A. Cont, Visualizing Timed, Hierarchical Code Structures in AscoGraph, 2015 19th International Conference on Information Visualisation, 2015.
DOI : 10.1109/iV.2015.37

URL : https://hal.archives-ouvertes.fr/hal-01155618

W. Buxton, S. Patel, W. Reeves, and R. Baecker, The evolution of the SSSP score-editing tools, Computer Music Journal, vol.3, issue.4, pp.14-25, 1979.

J. Celerier, P. Baltazar, C. Bossut, N. Vuaille, J. Couturier et al., OSSIA: towards a unified interface for scoring time and interaction, International Conference on Technologies for Music Notation and Representation, pp.81-90, 2015.
URL : https://hal.archives-ouvertes.fr/hal-01245957

J. Chadabe, Interactive Composing: An Overview, Computer Music Journal, vol.8, issue.1, pp.22-27, 1984.
DOI : 10.2307/3679894

A. Clay and J. Freeman, Preface: Virtual Scores and Real-Time Playing, Contemporary Music Review, vol.29, issue.1, pp.1-1, 2010.
DOI : 10.1080/07494467.2010.509587

T. Coduys and G. Ferry, Iannix Aesthetical/Symbolic Visualisations for Hypermedia Composition, Sound and Music Computing, 2004.

T. Coffy, J. Giavitto, and A. Cont, AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music, International Computer Music Conference, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01024865

K. Collins, B. Kapralos, and H. Tessler, The Oxford Handbook of Interactive Audio. Oxford Handbooks, 2014.

A. Cont, ANTESCOFO: Anticipatory Synchronization and Control of Interactive Parameters in Computer Music, International Computer Music Conference, 2008.
URL : https://hal.archives-ouvertes.fr/hal-00694803

A. Cont, A Coupled Duration-Focused Architecture for Real-Time Music-to-Score Alignment, IEEE Transactions on Pattern Analysis and Machine Intelligence, vol.32, issue.6, pp.974-987, 2010.
DOI : 10.1109/TPAMI.2009.106

URL : https://hal.archives-ouvertes.fr/hal-00479737

A. Cont, On the creative use of score following and its impact on research, Sound and Music Computing, 2011.
URL : https://hal.archives-ouvertes.fr/hal-00692575

A. Cont, Real-time Programming and Processing of Music Signals Habilitationà Habilitation`Habilitationà diriger des recherches, 2013.

A. Cont, J. Echeveste, J. Giavitto, and F. Jacquemard, Correct Automatic Accompaniment Despite Machine Listening or Human Errors in Antescofo, International Computer Music Conference. IRZU -the Institute for Sonic Arts Research, 2012.
URL : https://hal.archives-ouvertes.fr/hal-00718854

D. Fober, S. L. , and Y. Orlarey, INScore -An Environment for the Design of Live Music Scores, Proceedings of the Linux Audio Conference -LAC, 2012.

M. Desainte-catherine and A. Allombert, Interactive scores: A model for specifying temporal relations between interactive and static events, Journal of New Music Research, vol.34, issue.4, pp.361-374, 2005.
DOI : 10.1109/5.24143

URL : https://hal.archives-ouvertes.fr/hal-01106191

J. Echeveste, A. Cont, J. Giavitto, and F. Jacquemard, Operational semantics of a domain specific language for real time musician-computer interaction. Discrete Event Dynamic Systems, URL, vol.23, issue.4, pp.343-383, 2013.
URL : https://hal.archives-ouvertes.fr/hal-00854719

J. Echeveste, J. Giavitto, and A. Cont, A Dynamic Timed-Language for Computer-Human Musical Interaction, 2013.
URL : https://hal.archives-ouvertes.fr/hal-00917469

J. Echeveste, J. Giavitto, and A. Cont, Programming with Events and Durations in Multiple Times: The Antescofo DSL, ACM Transactions on Programming Languages and Systems, 2015.

J. Freeman, Web-based collaboration, live musical performance and open-form scores, International Journal of Performance Arts & Digital Media, vol.6, issue.2, pp.149-170, 2010.
DOI : 10.1386/padm.6.2.149_1

J. Giavitto, A. Cont, J. Echeveste, and M. T. Members, Antescofo: A Notso-short Introduction to Version 0.x. MuTant Team-Project, IRCAM, 2015.

M. Kurtz, Stockhausen : a biography, 1992.

P. L. Manoury and . Hamartan, La note et le son, 1990.

P. Manoury, List of works, 2016.

J. Mccartney, SuperCollider: a new real time synthesis language, International Computer Music Conference. URL http, 1996.

G. Nouno, A. Cont, G. Carpentier, H. , and J. , Making an orchestra speak, Sound and Music Computing, 2009.
URL : https://hal.archives-ouvertes.fr/hal-00839067

C. Poncelet and F. Jacquemard, Model based testing of an interactive music system, Proceedings of the 30th Annual ACM Symposium on Applied Computing, SAC '15, 2015.
DOI : 10.1145/2695664.2695804

URL : https://hal.archives-ouvertes.fr/hal-01097345

M. Puckette, Pure data, International Computer Music Conference, 1997.

M. Puckette, Using Pd as a score language, International Computer Music Conference, 2002.

M. Puckette, A divide between 'compositional' and 'performative' aspects of Pd, First International Pd Convention, 2004.

J. Risset, Composing in real-time? Contemporary Music Review, pp.31-39, 1999.

C. Roads, Composing Grammars, International Computer Music Conference, 1977.

J. C. Roberts, State of the Art: Coordinated & Multiple Views in Exploratory Visualization, Fifth International Conference on Coordinated and Multiple Views in Exploratory Visualization (CMV 2007), pp.61-71, 2007.
DOI : 10.1109/CMV.2007.20

R. Rowe, Interactive Music Systems: Machine Listening and Composing URL https://books.google.ro/books?, pp.9-9, 1993.

M. Stroppa, Live electronics or???live music? Towards a critique of interaction, Contemporary Music Review, vol.4, issue.3, pp.41-77, 1999.
DOI : 10.1080/07494469900640341

M. Toro-bermúdez, M. Desainte-catherine, and P. Baltazar, A Model for Interactive Scores with Temporal Constraints and Conditional Branching, Journées de Informatique Musicale, 2010.

C. Trapani and J. Echeveste, Real Time Tempo Canons with Antescofo, International Computer Music Conference, p.207, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01053836

G. Wang, The chuck audio programming language. a strongly-timed and on-the-fly environ/mentality, 2008.

G. Wiggins, E. Miranda, A. Smaill, and M. Harris, A Framework for the Evaluation of Music Representation Systems, Computer Music Journal, vol.17, issue.3, pp.31-42, 1993.
DOI : 10.2307/3680941

T. Winkler, Composing Interactive Music: Techniques and Ideas Using Max, 2001.

I. Xenakis, Formalized Music, 1992.