D. Arfib, J. Couturier, and L. Kessous, Expressiveness and Digital Musical Instrument Design, Journal of New Music Research, vol.7, issue.1, pp.125-136, 2005.
DOI : 10.2307/3679834
URL : https://hal.archives-ouvertes.fr/hal-00089016

F. Berthaut, M. Desainte-catherine, and M. Hachet, DRILE: an immersive environment for hierarchical live-looping, NIME '10 Proceedings of the 2010 conference on New interfaces for musical expression, pp.192-197, 2010.
URL : https://hal.archives-ouvertes.fr/hal-00530071

F. Berthaut, S. Subramanian, M. T. Marshall, and M. Hachet, Rouages: Revealing the Mechanisms of Digital Musical Instruments to the Audience, NIME '13 Proceedings of the 2013 Conference on New Interfaces for Musical Expression, pp.165-169, 2013.
URL : https://hal.archives-ouvertes.fr/hal-00807049

D. Birnbaum, R. Fiebrink, J. W. Malloch, and M. M. Wanderley, Towards a dimension space for musical devices, NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression, pp.192-195, 2005.
DOI : 10.1007/978-3-319-47214-0_14
URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.59.3188

M. Boberg, E. Karapanos, J. Holopainen, and A. Lucero, PLEXQ, Proceedings of the 2015 Annual Symposium on Computer-Human Interaction in Play, CHI PLAY '15, pp.381-391, 2015.
DOI : 10.1145/2793107.2793124

P. Cook, Principles for designing computer music controllers, NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression, 2001.
DOI : 10.1007/978-3-319-47214-0_1
URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.20.1044

J. Côté, J. Baker, and B. Abernethy, Practice and Play in the Development of Sport Expertise, Handbook of Sport Psychology, pp.184-202, 2012.

M. Csikszentmihalyi, Beyond Boredom and Anxiety: Experiencing Flow in Work and Play, 2000.

C. Dobrian and D. Koppelman, The'E'in NIME: musical expression with new computer interfaces, NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression, pp.277-282, 2006.

S. Fels, A. Gadd, and A. Mulder, Mapping transparency through metaphor: towards more expressive musical instruments, Organised Sound, vol.7, issue.02, 2003.
DOI : 10.1017/S1355771802002042
URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.3.8689

W. W. Gaver, J. Bowers, A. Boucher, H. Gellerson, S. Pennington et al., The drift table, Extended abstracts of the 2004 conference on Human factors and computing systems , CHI '04, pp.885-990, 2004.
DOI : 10.1145/985921.985947

J. A. Ghani and S. P. Deshpande, Task Characteristics and the Experience of Optimal Flow in Human???Computer Interaction, The Journal of Psychology, vol.3, issue.4, pp.381-391, 1994.
DOI : 10.1037/0022-0663.82.4.616

T. C. Graham, L. A. Watts, G. Calvary, J. Coutaz, E. Dubois et al., A dimension space for the design of interactive systems within their physical environments, Proceedings of the conference on Designing interactive systems processes, practices, methods, and techniques, DIS '00, pp.406-416, 2000.
DOI : 10.1145/347642.347799

A. Hunt, M. M. Wanderley, and M. Paradis, The Importance of Parameter Mapping in Electronic Instrument Design, NIME '02 Proceedings of the 2002 international conference on New interfaces for musical expression, pp.429-440, 2003.
DOI : 10.1076/jnmr.32.4.429.18853

S. Jordà, Interactive music systems for everyone: exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments, Proceedings of the Stockholm Music Acoustics, 2003.

N. H. Keating, The Lambent Reactive, Proceedings of the 7th international conference on New interfaces for musical expression, NIME '07, pp.530-536, 2007.
DOI : 10.1145/1279740.1279815

A. Maclean, R. M. Young, and T. P. Moran, Design rationale: the argument behind the artifact, Proceedings of the SIGCHI conference on Human factors in computing systems Wings for the mind - CHI '89, pp.247-252, 1989.

A. P. Mcpherson, A. Chamberlain, A. Hazzard, S. Mcgrath, and S. Benford, Designing for Exploratory Play with a Hackable Digital Musical Instrument, Proceedings of the 2016 ACM Conference on Designing Interactive Systems, DIS '16, pp.1233-1245, 2016.
DOI : 10.1145/2901790.2901831

A. Nijholt, Playful Interfaces: Introduction and History, Playful User Interfaces, Gaming Media and Social Effects, pp.1-21
DOI : 10.1007/978-981-4560-96-2_1

S. Oore, Learning Advanced Skills on New Instruments (or practising scales and arpeggios on your NIME), NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression, pp.60-65, 2005.

D. Robson, PLAY!: Sound Toys for Non-Musicians, Computer Music Journal, vol.26, issue.3, pp.50-61, 2002.
DOI : 10.1162/014892601750302570

S. W. Russ, Play and Creativity: Developmental issues, Scandinavian Journal of Educational Research, vol.2, issue.3, pp.291-303, 2003.
DOI : 10.1002/cd.23219800906

W. A. Schloss, Using Contemporary Technology in Live Performance: The Dilemma of the Performer, Journal of New Music Research, vol.32, issue.3, pp.239-242, 2003.
DOI : 10.1076/jnmr.32.3.239.16866

A. V. Troyer, DrumTop : Playing with Everyday Objects, NIME '12 Proceedings of the 2012 conference on New interfaces for musical expression, pp.244-247, 2012.

J. Webster and J. J. Martocchio, Microcomputer Playfulness: Development of a Measure with Workplace Implications, MIS Quarterly, vol.16, issue.2, p.201, 1992.
DOI : 10.2307/249576

J. Webster, L. K. Trevino, and L. Ryan, The dimensionality and correlates of flow in human-computer interactions, Computers in Human Behavior, vol.9, issue.4, pp.411-426, 1993.
DOI : 10.1016/0747-5632(93)90032-N

D. Wessel and M. Wright, Problems and Prospects for Intimate Musical Control of Computers, Computer Music Journal, vol.7, issue.2, pp.11-22, 2002.
DOI : 10.2307/3680283

A. B. Woszczynski, P. L. Roth, and A. H. Segars, Exploring the theoretical foundations of playfulness in computer interactions, Computers in Human Behavior, vol.18, issue.4, pp.369-388, 2002.
DOI : 10.1016/S0747-5632(01)00058-9

D. L. Zabelina and M. D. Robinson, Child???s play: Facilitating the originality of creative output by a priming manipulation., Psychology of Aesthetics, Creativity, and the Arts, vol.4, issue.1, pp.57-65, 2010.
DOI : 10.1037/a0015644