E. H. Calvillo-gamez and P. Cairns, Pulling the strings: A theory of puppetry for the gaming experience, Proc. of The Philosophy of Computer Games Conference, pp.308-323, 2008.

S. Dixon, Digital Performance, 2007.

G. Giannachi, Virtual Theatres: An Introduction, p.Routledge, 2004.

B. Hayes-roth and R. Van-gent, Improvisational Puppets, Actors, and Avatars, CGDC Proceedings, Jennifer Pahlka Miller Freeman, pp.199-209, 1996.
DOI : 10.1145/267658.267660

J. Juul, Half-Real: Video Games between Real Rules and Fictional Worlds, 2005.

B. Laurel, Computers as Theatre, 1993.

A. Mazalek, M. Nitsche, S. Chandrasekharan, T. Welsh, P. Clifton et al., Recognizing self in puppet controlled virtual avatars, Proceedings of the 3rd International Conference on Fun and Games, Fun and Games '10, pp.66-73, 2010.
DOI : 10.1145/1823818.1823825
URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.174.8164

C. S. Pinhanez, Computer Theater, 1996.

C. Pinhanez and A. Bobick, ???It/I???: A Theater Play Featuring an Autonomous Computer Character, Presence: Teleoperators and Virtual Environments, vol.32, issue.1, pp.536-548, 2002.
DOI : 10.1007/s003710100140
URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.7.9891

M. Reaney, Virtual Scenography: The Actor/Audience/Computer Interface. Theatre Design and Technology, pp.36-43, 1996.

Z. Rybczynski, Looking to the Future: Imagining the Truth. Cinema & Architecture, pp.182-98, 1997.

K. Salen and E. Zimmerman, Game Design and Meaningful Play Handbook of Computer Game Studies, pp.59-81, 2005.