E. Cambouropoulos, The Harmonic Musical Surface and Two Novel Chord Representation Schemes, Computational Music Analysis, pp.31-56, 2015.
DOI : 10.1007/BFb0034114

E. Cambouropoulos, M. Kaliakatsos-papakostas, and C. Tsougras, An idiomindependent representation of chords for computational music analysis and generation, Proceeding of the joint 11th Sound and Music Computing Conference (SMC) and 40th International Computer Music Conference (ICMC), p.2014, 2014.

E. Cambouropoulos, M. Kaliakatsos-papakostas, and C. Tsougras, Structural blending of harmonic spaces: a computational approach, Proceedings of the 9th Triennial Conference of the European Society for the Cognitive Science of Music (ESCOM), 2015.

C. H. Chuan and E. Chew, A hybrid system for automatic generation of style-specific accompaniment, Proceedings of the 4th International Joint Workshop on Computational Creativity. Goldsmiths, 2007.

R. Confalonier, M. Schorlemmer, E. Plaza, M. Eppe, O. Kutz et al., Upward Refinement for Conceptual Blending in Description Logic ? An ASP-based Approach and Case Study in EL ++, International Workshop on Ontologies and Logic Programming for Query Answering, International Joint Conference on Artificial Intelligence (IJCAI), p.2015, 2015.

D. Conklin, Representation and Discovery of Vertical Patterns in Music, Music and artificial intelligence, pp.32-42, 2002.
DOI : 10.1007/3-540-45722-4_5

S. Dixon, M. Mauch, and A. Anglade, Probabilistic and Logic-Based Modelling of Harmony, Exploring Music Contents, pp.1-19, 2010.
DOI : 10.1007/978-3-642-23126-1_1

URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.414.5912

M. Eppe, E. Maclean, R. Confalonieri, O. Kutz, M. Schorlemmer et al., ASP, Amalgamation, and the Conceptual Blending Workflow, Logic Programming and Nonmonotonic Reasoning, pp.309-316, 2015.
DOI : 10.1007/978-3-319-23264-5_26

URL : https://digital.csic.es/bitstream/10261/130425/1/LNCS9345%2c2015%2cpp.309-316.pdf

G. Fauconnier and M. Turner, The Way We Think: Conceptual Blending And The Mind's Hidden Complexities. Basic Books, 2003.

J. Goguen, Mathematical Models of Cognitive Space and Time, Reasoning and Cognition, Interdisciplinary Conference Series on Reasoning Studies, 2006.

M. Granroth-wilding and M. Steedman, A Robust Parser-Interpreter for Jazz Chord Sequences, Journal of New Music Research, vol.21, issue.4, pp.1-20, 2014.
DOI : 10.2307/842885

URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.644.7673

M. Kaliakatsos-papakostas, R. Confalonier, J. Corneli, A. Zacharakis, and E. Cambouropoulos, An argument-based creative assistant for harmonic blending, Proceedings of the 7th International Conference on Computational Creativity (ICCC). p. (accepted), 2016.

M. Kaliakatsos-papakostas, A. Katsiavalos, C. Tsougras, and E. Cambouropoulos, Harmony in the polyphonic songs of epirus: Representation, statistical analysis and generation, 4th International Workshop on Folk Music Analysis (FMA), p.2014, 2014.

M. Kaliakatsos-papakostas, D. Makris, C. Tsougras, and E. Cambouropoulos, Learning and creating novel harmonies in diverse musical idioms: An adaptive modular melodic harmonisation system, Journal of Creative Music Systems, vol.1, issue.1, 2016.
DOI : 10.5920/jcms.2016.01

M. Kaliakatsos-papakostas, A. Zacharakis, C. Tsougras, and E. Cambouropoulos, Evaluating the General Chord Type representation in tonal music and organising GCT chord labels in functional chord categories, Proceedings of the 4th International Conference on Music Information Retrieval, 2015.

M. Kaliakatsos-papakostas and E. Cambouropoulos, Probabilistic harmonisation with fixed intermediate chord constraints, Proceeding of the joint 11th Sound and Music Computing Conference (SMC) and 40th International Computer Music Conference (ICMC), p.2014, 2014.

D. Makris, M. Kaliakatsos-papakostas, and E. Cambouropoulos, Probabilistic modular bass voice leading in melodic harmonisation, Proceedings of the 4th International Conference on Music Information Retrieval, 2015.
DOI : 10.1007/978-3-319-20603-5_13

C. Pérez-sancho, D. Rizo, and J. M. Inesta, Genre classification using chords and stochastic language models, Connection Science, vol.1, issue.2-3, pp.145-159, 2009.
DOI : 10.1109/18.87000

C. Raphael and J. Stoddard, Functional Harmonic Analysis Using Probabilistic Models, Computer Music Journal, vol.28, issue.3, pp.45-52, 2004.
DOI : 10.1162/014892699559616

M. Rohrmeier, Towards a generative syntax of tonal harmony, Journal of Mathematics and Music, vol.9, issue.1, pp.35-53, 2011.
DOI : 10.1080/09298219508570672

R. Scholz, E. Vincent, and F. Bimbot, Robust modeling of musical chord sequences using probabilistic N-grams, 2009 IEEE International Conference on Acoustics, Speech and Signal Processing, pp.53-56, 2009.
DOI : 10.1109/ICASSP.2009.4959518

URL : https://hal.archives-ouvertes.fr/inria-00544166

M. Schorlemmer, A. Smaill, K. U. Kühnberger, O. Kutz, S. Colton et al., Coinvent: Towards a computational concept invention theory, 5th International Conference on Computational Creativity (ICCC), p.2014, 2014.

M. Steedman, The blues and the abstract truth: Music and mental models. Mental models in cognitive science pp, pp.305-318, 1996.

R. P. Whorley, G. A. Wiggins, C. Rhodes, and M. T. Pearce, Multiple Viewpoint Systems: Time Complexity and the Construction of Domains for Complex Musical Viewpoints in the Harmonization Problem, Journal of New Music Research, vol.42, issue.3, pp.237-266, 2013.
DOI : 10.1109/TIT.1967.1054010

G. A. Wiggins, M. T. Pearce, and D. Müllensiefen, Computational modeling of music cognition and musical creativity. In: The Oxford Handbook of Computer Music, 2009.
DOI : 10.1093/oxfordhb/9780199792030.013.0019

A. Zacharakis, M. Kaliakatsos-papakostas, and E. Cambouropoulos, Conceptual blending in music cadences: A formal model and subjective evaluation, In: ISMIR. Malaga, 2015.