A. Agarwal and A. Meyer, Beyond usability, Proceedings of the 27th international conference extended abstracts on Human factors in computing systems, CHI EA '09, 2009.
DOI : 10.1145/1520340.1520420

S. A. Bin, N. Bryan-kinns, and A. P. Mcpherson, Skip the pre-concert demo: How technical familiarity and musical style affect audience response, Proc. NIME, 2016.

J. Barbosa, F. Calegario, V. Teichrieb, G. Ramalho, and P. Mcglynn, Considering Audience's View Towards an Evaluation Methodology for Digital Musical Instruments, Proc. NIME, 2012.

L. Barkhuus and T. Jørgensen, Engaging the crowd, Proceeding of the twenty-sixth annual CHI conference extended abstracts on Human factors in computing systems , CHI '08, 2008.
DOI : 10.1145/1358628.1358785

F. Berthaut, M. Marshall, S. Subramanian, and M. Hachet, Rouages: Revealing the mechanisms of digital musical instruments to the audience, Proc. NIME, 2013.
URL : https://hal.archives-ouvertes.fr/hal-00807049

Z. Bilda, Evaluating audience experience, Creativity and cognition studios, 2006.

S. Bødker, When second wave HCI meets third wave challenges, Proceedings of the 4th Nordic conference on Human-computer interaction changing roles, NordiCHI '06, 2006.
DOI : 10.1145/1182475.1182476

B. Bongers and A. Mery, Interactive kaleidoscope, Proceedings of the 23rd Australian Computer-Human Interaction Conference on, OzCHI '11, 2011.
DOI : 10.1145/2071536.2071544

P. Bull and M. Noordhuizen, The Mistiming of Applause in Political Speeches, Journal of Language and Social Psychology, vol.7, issue.3, 2000.
DOI : 10.1177/0261927X8800700102

L. Dahl and G. Wang, Sound Bounce: Physical Metaphors in Designing Mobile Music Performance, Proc. NIME, 2010.

P. Desmet, Measuring Emotion: Development and Application of an Instrument to Measure Emotional Responses to Products, Funology, 2005.
DOI : 10.1007/1-4020-2967-5_12

S. Fels, A. Gadd, and A. Mulder, Mapping transparency through metaphor: towards more expressive musical instruments, Organised Sound, vol.7, issue.02, 2002.
DOI : 10.1017/S1355771802002042

URL : http://hct.ece.ubc.ca/publications/pdf/fels-gadd-mulder-os2003.pdf

A. C. Fyans, M. Gurevich, and P. Stapleton, Where did it all go wrong? A model of error from the spectator's perspective, Proc. NIME, 2009.

A. C. Fyans, M. Gurevich, and P. Stapleton, Spectator understanding of error in performance, Proceedings of the 27th international conference extended abstracts on Human factors in computing systems, CHI EA '09, 2009.
DOI : 10.1145/1520340.1520600

A. C. Fyans, M. Gurevich, and P. Stapleton, Examining the spectator experience, Proc. NIME, 2010.

A. C. Fyans and M. Gurevich, Perceptions of Skill in Performances with Acoustic and Electronic Instruments, Proc. NIME, 2011.

W. W. Gaver, J. Beaver, and S. Benford, Ambiguity as a resource for design, Proceedings of the conference on Human factors in computing systems , CHI '03, 2003.
DOI : 10.1145/642611.642653

M. Gluck, Toward a Historical Definition of Modernism: Georg Lukacs and the Avant-Garde, The Journal of Modern History, vol.58, issue.4, pp.845-882, 1986.
DOI : 10.1086/243087

M. Gurevich, P. Stapleton, and P. Bennett, Designing for style in new musical interactions, Proc. NIME, 2009.

M. Gurevich and A. C. Fyans, Digital Musical Interactions: Performer???system relationships and their perception by spectators, Organised Sound, vol.8, issue.02, pp.166-175, 2011.
DOI : 10.3813/AAA.918303

S. Kruse-weber, Parncutt, R: Error management for musicians: an interdisciplinary conceptual framework, Frontiers in psychology, 2014.
DOI : 10.3389/fpsyg.2014.00777

URL : http://journal.frontiersin.org/article/10.3389/fpsyg.2014.00777/pdf

C. Lai and T. Boverman, Audience Experience in Sound Performance, Proc. NIME, 2013.

C. Latulipe, E. A. Carroll, and D. Lottridge, Love, hate, arousal and engagement, Proceedings of the 2011 annual conference on Human factors in computing systems, CHI '11, 2011.
DOI : 10.1145/1978942.1979210

E. F. Loftus and J. C. Palmer, Reconstruction of automobile destruction: An example of the interaction between language and memory, Journal of Verbal Learning and Verbal Behavior, vol.13, issue.5, 1974.
DOI : 10.1016/S0022-5371(74)80011-3

W. J. Millard, A HISTORY OF HANDSETS FOR DIRECT MEASUREMENT OF AUDIENCE RESPONSE, International Journal of Public Opinion Research, vol.4, issue.1, 1992.
DOI : 10.1093/ijpor/4.1.1

D. A. Norman, The Design of Everyday Things, 2013.
DOI : 10.15358/9783800648108

O. Perrotin and C. Alessandro, Visualizing Gestures in the Control of a Digital Musical Instrument, Proc. NIME, 2014.

A. Poole and L. J. Ball, Eye Tracking in HCI and Usability Research, Encyclopedia of Human Computer Interaction, vol.1, pp.211-219, 2006.
DOI : 10.4018/978-1-59140-562-7.ch034

S. Reeves, S. Benford, C. O-'malley, and M. Fraser, Designing the spectator experience, Proceedings of the SIGCHI conference on Human factors in computing systems , CHI '05, 2005.
DOI : 10.1145/1054972.1055074

URL : http://www.mrl.nott.ac.uk/~str/doc/p133-reeves.pdf

L. Russolo, The Art of Noises: Futurist Manifesto Audio Culture: Readings in modern music, Continuum International, 2010.

P. Sengers and W. W. Gaver, Staying open to interpretation, Proceedings of the 6th ACM conference on Designing Interactive systems , DIS '06, 2006.
DOI : 10.1145/1142405.1142422

J. G. Sheridan and N. Bryan-kinns, Designing for performative tangible interaction, International Journal of Arts and Technology, vol.1, issue.3/4, 2008.
DOI : 10.1504/IJART.2008.022364

URL : http://www.eecs.qmul.ac.uk/%7Enickbk/papers/sheridan_bryankinns_ijart_2008.pdf

C. Stevens, R. Glass, E. Schubert, and J. Chen, Methods for measuring audience reactions, Proceedings of the Inaugural International Conference on Music Communication Science, 2007.

C. J. Stevens, E. Schubert, R. H. Morris, and M. Frear, Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance, International Journal of Human-Computer Studies, vol.67, issue.9, 2009.
DOI : 10.1016/j.ijhcs.2009.06.001

D. Verdonk, Visible Excitation Methods: Energy and Expressiveness in Electronic Music Performance, Proc. NIME 2015

C. Wen-chung, Open Rather Than Bounded, Perspectives of New Music, vol.5, issue.1, 1966.
DOI : 10.2307/832383

P. Wright, M. Blythe, and J. Mccarthy, User Experience and the Idea of Design in HCI, International Workshop on Design, Specification, and Verification of Interactive Systems, 2005.
DOI : 10.1007/11752707_1