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, à droite) image obtenue avec les paramètres par défaut -(à gauche) image obtenue avec un changement des paramètres de l'opérateur de réduction des gammes de luminances, p.30
, 3 -les réalisateurs , les films), p.43
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, phénotype) construit automatiquement à partir de la base de données de films, p.44
, entre l'image de référence et les différentes méthodes ) en fonction du temps pour la scène Breakfast hall, p.53
, (En haut à gauche) image de référence. (Colonne de droite) images obtenues avec les autres méthodes 10h. Détails sur les images obtenues avec les différentes méthodes après : 30min. et 10h. Et images de différences par rapport à l'image de références, p.54
, (En haut à gauche) image obtenue avec P P T _metro (10h). (Colonne de droite) images obtenues avec les autres méthodes 10h, Détails sur les images obtenues avec les différentes méthodes après : 30min. et 10h. . . . . 55
, (à gauche) flou de profondeur sans rotation du noyau d'échantillonnage -(au milieu) flou de profondeur avec rotation du noyau d'échantillonnage -(à droite) image finale avec flou de profondeur, p.64
, exemple de trois images consécutives , l'image du milieu est plus lumineuse, p.67
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, (en haut) Les images HDR en fausse couleur (bleu : faible valeur de luminance, rouge : grande valeur de luminance), (en bas) Les images LDR correspondantes la luminance de la partie inférieure du pont évolue dans la séquence LDR alors qu'elle est constante dans la séquence, p.69
, (à gauche) des images de séquence LDR obtenu avec l'opérateur de réduction de Li [117] -(à droite) les images LDR avec ZBC : la cohérence temporelle de la luminosité est maintenue avec la séquence HDR et le contraste est conservé, p.74
, à gauche) des images de séquence LDR obtenu avec l'opérateur de réduction [109] -(à droite) les images LDR avec ZBC : la cohérence temporelle de la luminosité est conservée malgré le changement de conditions d'illumination sur le véhicule principal, p.75
, Les cercles de couleur (rouge, vert, bleu) correspondent à la couleur d'adaptation pour les trois positions et orientations de la caméra
, La figure de droite montre les résulats pour notre méthode, p.86
, chaque méthode utilise le même temps de rendu (dernière ligne). photons volumiques = nombre de photons émis par passe dans APA et PPT, p.52